by Rohan Crickmar
Almost Nothing, by Ana Hušman (2016)
Non-Places: Beyond the Infinite (Nemísta: Za horizontem nekonečna), by Péter Lichter (2016)
Two short experimental films coming out of an Eastern European milieu and focusing primarily on what isn’t seen does not necessarily posit an aesthetic trend, but it is remarkable how both Ana Hušman and Péter Lichter skirt around the visible as a defining element of each of their most recent shorts.
See more: https://eefb.org/perspectives/ana-husmans-almost-nothing-2016-peter-lichters-non-places-beyond-the-infinite-2016/