{"id":584,"date":"2016-06-26T11:32:08","date_gmt":"2016-06-26T11:32:08","guid":{"rendered":"http:\/\/anahusman.net\/?p=584"},"modified":"2017-12-10T13:23:03","modified_gmt":"2017-12-10T13:23:03","slug":"hrvatski-south-by-southeast","status":"publish","type":"post","link":"https:\/\/anahusman.net\/hr\/hrvatski-south-by-southeast\/","title":{"rendered":"South by Southeast, Times museum 22 March \u2013 8 May, 2016"},"content":{"rendered":"<p>Common is the notion that the south lies at the opposite of north and that the north is supposedly ascendant, more prone to power, and closer to the imagined center. The south is cast as the peripheral and the dispossessed and that it gathers at the perceived fringes of province on a map of asymmetries. Such a curious psycho-geographical, or geopolitical, imagination yields another antinomy: the west and the east, bearing more or less equivalent valences as north and south. This procedure of organizing the world reduces the latter into polarities and verticalities, the west is modern and everywhere yet the east is timeless and afar. The situation where the south and the east cohere to form the coordinate of the southeast is exceptional. It is possibly a double negation: not north, not west. And as such, it is a productive locus: it is not the center, twice.<br \/>\nvi\u0161e na <a href=\"http:\/\/en.timesmuseum.org\/exhibitions\/detail\/id-692\/\" target=\"_blank\">Times Museum<\/a><br \/>\n<a href=\"http:\/\/anahusman.net\/wp-content\/uploads\/2016\/06\/plakatTimes.jpg\" rel=\"attachment wp-att-592\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anahusman.net\/wp-content\/uploads\/2016\/06\/plakatTimes-709x1024.jpg\" alt=\"plakatTimes\" width=\"540\" height=\"780\" class=\"alignnone size-large wp-image-592\" srcset=\"https:\/\/anahusman.net\/wp-content\/uploads\/2016\/06\/plakatTimes-709x1024.jpg 709w, https:\/\/anahusman.net\/wp-content\/uploads\/2016\/06\/plakatTimes-208x300.jpg 208w, https:\/\/anahusman.net\/wp-content\/uploads\/2016\/06\/plakatTimes-768x1108.jpg 768w, https:\/\/anahusman.net\/wp-content\/uploads\/2016\/06\/plakatTimes.jpg 1200w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><br \/>\nParticipating artists: Art Labor (Vietnam), Pio Abad (The Philippines), Jon Cuyson (The Philippines), Maung Day (Myanmar), frombandungtoberlin.net (trans-national), Nilbar G\u00fcre\u015f (Turkey), Ahdiyat Nur Hartata (Indonesia), Maja Hodo\u0161\u010dek (Slovenia), Ana Hu\u0161man (Croatia), Eisa Jocson (The Philippines), \u0160ejla Kameri\u0107 (Bosnia and Herzegovina), Li Jinghu (China), Dalibor Martinis (Croatia), Sebastian Moldovan (Romania), Jakrawal Nilthamrong (Thailand), Aemilia Papaphilippou (Greece), Raluca Popa (Romania), Lia Perjovschi (Romania), Marko Tadi\u0107 (Croatia), Sa\u0161a Tka\u010denko (Serbia), Pradeep Thalawatta (Sri Lanka), The Bureau of Melodramatic Research (Romania), Lyno Vuth (Cambodia), Zhou Tao (China)<\/p>","protected":false},"excerpt":{"rendered":"<p>Common is the notion that the south lies at the opposite of north and that the north is supposedly ascendant, more prone to power, and closer to the imagined center. The south is cast as the peripheral and the dispossessed and that it gathers at the perceived fringes of province on a map of asymmetries. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[5,1],"tags":[],"class_list":["post-584","post","type-post","status-publish","format-standard","hentry","category-news","category-uncategorized"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/posts\/584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/comments?post=584"}],"version-history":[{"count":4,"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/posts\/584\/revisions"}],"predecessor-version":[{"id":593,"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/posts\/584\/revisions\/593"}],"wp:attachment":[{"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/media?parent=584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/categories?post=584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anahusman.net\/hr\/wp-json\/wp\/v2\/tags?post=584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}